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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The writing in the diaries chart Lyon’s attempts to become educated, start a business, and navigate illness and what he calls “dullness,” or what contemporary readers might consider to be a form of depression. Lyon failed in his business ventures in London and Paris, and ultimately moved to Jamaica where he had family and friends. Records of his life in Jamaica are scarce.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;Photographs of the original pages of the diaries are published on this site along with transcriptions by Naomi Cream, a descendant of A.S. Lyon. For a detailed discussion of Lyon’s family and writing be sure to read chapter 3 of &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Strangers in the Archive&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (Kaufman, 2022).&lt;/span&gt;</text>
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                <text>&lt;i&gt;Le pilote: roman américain&lt;/i&gt;</text>
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                <text>Title page of &lt;i&gt;Le Pilote: Roman Américain&lt;/i&gt;, a translation of James Fenimore Cooper's novel, &lt;i&gt;The Pilot&lt;/i&gt; (1823). </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Reproduced from Nineteenth Century Collections Online with permission from Gale. </text>
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                <text>&lt;i&gt;The Decline of Life in Health and Disease&lt;/i&gt; by Barnard Van Oven</text>
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                <text>A digital image of an advertisement for a new medical book written by Barnard Van Oven, MD, most likely the same Dr. Van Oven that A.S. Lyon visits.</text>
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                <text>&lt;i&gt;The Leader&lt;/i&gt;, London, England</text>
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                <text>Mai-Ling Maas</text>
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                <text>Reproduced from Nineteenth Century Collections Online with permission from Gale. </text>
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                <text>1831, A gentleman in full dress still has his chapeau bras</text>
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                <text>A drawing of how men dressed in the 1830s</text>
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                <text>This drawing depicts the fashion style elite men had during 1830s in London, England. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="423">
                <text>Unknown</text>
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            <name>Publisher</name>
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                <text>History British Recency</text>
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                <text>1831</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Available for public access</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Megan Snyder</text>
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            <description>A related resource from which the described resource is derived</description>
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            <description>A name given to the resource</description>
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                <text>A Backgammon Board</text>
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            <description>An account of the resource</description>
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                <text>This is a drawing for Backgammon board, one of the oldest games. The game requires two players. There are several games' versions for Backgammon. Generally, the pieces are moved according to the role of dice that has six faces i.e. 1, 2, 3, 4, 5, 6 dots. For some, it is a game depends on luck; for others, it depends on planning.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Cady, Alice Howard</text>
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              <elementText elementTextId="137">
                <text>commons.wikimedia.org</text>
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                <text>The American Sports Publishing</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>.jpg</text>
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                <text>Games in the 19th century.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Commons. wikimedia</text>
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                <text>Majd Mariam</text>
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          <name>Original Format</name>
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                <text>A Ball at Almack's Assembly Rooms in London</text>
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                <text>Drawing of the interior of Almack's Assembly Rooms. </text>
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                <text>This illustration depicts a ball taking place within Almack's Assembly Rooms in London, as couples dance quadrilles.</text>
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                <text>George Cruikshank</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The writing in the diaries chart Lyon’s attempts to become educated, start a business, and navigate illness and what he calls “dullness,” or what contemporary readers might consider to be a form of depression. Lyon failed in his business ventures in London and Paris, and ultimately moved to Jamaica where he had family and friends. Records of his life in Jamaica are scarce.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;Photographs of the original pages of the diaries are published on this site along with transcriptions by Naomi Cream, a descendant of A.S. Lyon. For a detailed discussion of Lyon’s family and writing be sure to read chapter 3 of &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Strangers in the Archive&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (Kaufman, 2022).&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The writing in the diaries chart Lyon’s attempts to become educated, start a business, and navigate illness and what he calls “dullness,” or what contemporary readers might consider to be a form of depression. Lyon failed in his business ventures in London and Paris, and ultimately moved to Jamaica where he had family and friends. Records of his life in Jamaica are scarce.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;Photographs of the original pages of the diaries are published on this site along with transcriptions by Naomi Cream, a descendant of A.S. Lyon. For a detailed discussion of Lyon’s family and writing be sure to read chapter 3 of &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Strangers in the Archive&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (Kaufman, 2022).&lt;/span&gt;</text>
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                <text>Reproduced from Nineteenth Century Collections Online with permission from Gale. </text>
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                <text>George Cruikshank.</text>
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